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In a stunning turn of events immediately following the covert portion of the case in 1995, headlines around the world reported that the whistleblower defrauded $9 (or maybe $11.5) million from his company at the same period of time he was secretly working for the FBI and taping his co-workers. No sooner did an army of federal agents stage a dramatic raid on ADM’s Illinois headquarters, than the company hit back with damning evidence that the government‘s star witness had his own agenda. Whitacre became delusional with the FBI in his failed attempt to save himself. After a suicide attempt, Whitacre and the FBI learned that he was suffering from manic-depression, also known as bipolar disorder with the resulting grandiosity and embellishments in full bloom. Before the ADM price fixing trial began, the FBI learned that their star witness was suffering from mental illness.

The film focuses on Whitacre’s meltdown which occurred from the pressures of working for the FBI. It goes into great detail about Whitacre’s bizarre behavior and how he cracked under pressure working undercover. After working undercover for years, he became extremely manic, stopped sleeping during most nights, and was seen using a gas leaf blower on his driveway during a thunderstorm at three o’clock in the morning. A vintage bipolar symptom, Whitacre attempted suicide a few months later, but he was saved by his groundskeeper.

Whitacre–who is extremely well educated with B.S. and M.S. from Ohio State and a Ph.D. from Cornell University in nutritional biochemistry–was still the most improbable figure of the story. With his extremely poor judgment associated with bipolar disorder that became worse the longer he worked undercover, he believed up to the end that he would become chief executive officer of ADM when the dust settled. His wife tried to convince him otherwise. He also became peculiarly suggestible as his mental state diminished. For example, after seeing the movie, ”The Firm”, he imitated its hero, Mitch McDeere played by Tom Cruise, and began taping the FBI agents and storing the tapes for later use.

In the end, because Whitacre violated his immunity agreement with the government, he was also charged for price-fixing, the same case that he exposed for the FBI, in addition to wire fraud, tax fraud, and money laundering. In order to save Whitacre, his first attorney, James Epstein, presented a sterling performance to the top U.S. Department of Justice (DOJ) officials convincing them that the government was not duped by Mark Whitacre, but instead the government created him. Whitacre was the highest-ranked executive to ever turn whistleblower. Epstein emphasized that Whitacre was not trained for FBI undercover work; he was simply thrown in there without any training whatsoever and without any support to prevent him from cracking under pressure. He argued that FBI undercover agents get training for several years, and still do not go undercover longer than a year because they can crack due to the pressure. Whitacre, without training went undercover for almost three years. Epstein told the DOJ officials that he would go public in a trial with everything that Whitacre went through for three years working undercover, and to only be punished after he helped break one of the largest white-collar cases in history. He convinced the government that Whitacre solved a billion dollar case for the FBI, and that the case was a hundred-fold larger than Whitacre’s fraud. Epstein was successful in getting a very light sentence for Whitacre. He saved Whitacre. However, Whitacre, with his manic-depression fully out of control by then, saw it differently and he fired Epstein because he was not willing to do any jail time.

Whitacre then hired another attorney and they distanced themselves from the government where Whitacre was no longer of value to them as a witness. The government used the tapes in the ADM trials, but not Whitacre. In turn, Whitacre received a federal prison sentence that was three-times longer than the white-collar criminals he exposed in a much larger criminal conspiracy. Kurt Eichenwald, author of ”The informant” which was the source for this film, and several FBI agents adamantly disagreed with the nine-year sentence that Whitacre received. The story ends with the three FBI agents, and a former prosecutor involved with the case, working on their attempt to obtain clemency or a presidential pardon for Whitacre in return for his substantial assistance with one of the largest and most important white-collar cases in U.S. history.

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The film opens in 1941 with Colonel Hans Landa (Christoph Waltz) of the Waffen-SS, proudly known as the “Jew Hunter”, interrogating Perrier LaPadite (Denis Menochet), a French dairy farmer, over rumours that he had been hiding a Jewish family. By dropping a subtle hint about whether or not to leave LaPadite’s family alone in the future, Landa manages to break down LaPadite and locates the hiding place of the Jews underneath the floorboards. He orders his soldiers to fire into the floorboards, killing all but the teenage Shosanna.

Four years later, by 1944, Shosanna has assumed the identity of “Emmanuelle Mimieux”. How she manages to do so is not revealed. She has also become the proprietress of a cinema, which is chosen by Frederick Zoller (Daniel Brühl), a spotlight-hungry sniper-turned-actor whose exploits are celebrated in the Nazi propaganda film, Stolz der Nation (A Nation’s Pride), as the setting for the film premiere. He is attracted to Shosanna and convinces Goebbels to hold the premiere in her cinema. Shosanna does not reciprocate Zoller’s feelings.

Shosanna realizes that the presence of so many high ranking Nazi officials and officers provides an excellent opportunity for revenge. She resolves to burn down her cinema using the massive quantities of flammable nitrate film in her storage rooms during the premiere and makes a fourth reel in which she tells the Nazis present of her Jewish identity and revenge.

In the meantime, the British have also learned of the Nazi leadership’s plan to attend the premiere and dispatch a British officer, Lt. Archie Hicox (Michael Fassbender), to Paris to lead an attack on the cinema with the aid of the “Basterds” and a German double agent, an actress by the name of Bridget von Hammersmark (Diane Kruger).

Hammersmark arranges to meet Hicox and the Basterds in the basement of a French tavern. Unbeknown to her, however, the night of the rendezvous is also the occasion of a German staff sergeant (Alexander Fehling) celebrating the birth of his son with his soldier comrades. One of the German soldiers present strikes up a conversation with Hicox and notices that his accent is “odd”. An SS officer (August Diehl) who is in the tavern as well also notices that odd accent. When Hicox gives the wrong three fingered order for whiskies (without using his thumb, a traditional German gesture), the SS officer realizes their deception. A firefight breaks out in which the British officer and two of the “Basterds” are killed as is everyone in the tavern except Hammersmark, who is wounded in her left leg.

Aldo Raine (Brad Pitt), a U.S. Army second lieutenant in the First Special Service Force [7] and the commanding officer of the Basterds, interrogates Hammersmark and decides to continue the operation against the cinema under the guise of Italians as suicide bombers. Colonel Landa, now an SD officer, is able to retrieve one of Hammersmark’s shoes from the scene of the firefight at the tavern and also an autographed napkin which Hammersmark had signed for the staff sergeant’s son. He approaches Hammersmark and Raine in the cinema lobby and is able to easily see through their disguises, as none, even Raine, can speak any Italian or German. He questions Hammersmark alone and makes her try on the shoe he had retrieved from the tavern. It is a perfect fit. He violently strangles her to death as a traitor, and orders the arrest of Raine. As Raine is driven off in a truck, he discovers one of his men, Private Utivich (B.J. Novak), has also been captured and is in the truck with him.

In the closing stages of the film Quentin Tarantino sets the quirks which show that the film is in an alternative universe. Landa reveals himself to be a turncoat. While speaking with Raine and Utivich, he tells them that four major Nazi leaders must all be killed to end the war immediately. They are all attending Nation’s Pride, and he is prepared to let the assassination continue– for a price. He has no intention of helping end the war only to be tried by a Jewish tribunal for war crimes and end up facing the gallows. In order to help end the war, he wants to make a deal, one Raine cannot authorize, but his commanding officer (Harvey Keitel) can. Landa has his radio operator help Raine reach his general, where Landa states the terms of his deal– he wants full military pension and benefits under his current rank, a medal of honor for everyone involved in the operation, American citizenship and a home on Nantucket Island. He also reveals that he had planted Raine’s stick of dynamite in Hitler’s box at the cinema, meaning that there are now three attempts against Hitler’s life. Raine is placed on the radio and his general tells him that Landa and his radio operator will drive him and Utivich in a truck to American lines, then surrender to them, whereupon Raine will drive the truck to base and bring Landa and the operator to him for debriefing.

Meanwhile, during the showing of Stolz der Nation, Shosanna and her assistant (and lover) Marcel (Jacky Ido) are manning the projection booth when he tells her it is time. He needs to lock the auditorium and go behind the screen. As Marcel makes his way toward the auditorium, two of the Basterds, Sgt. Donny Donowitz (Eli Roth) and Pvt. Omar Ulmer (Omar Doom), leave their seats and exit the auditorium heading upstairs to the balcony level. Donowitz carefully spies on the guards watching the entrance to Hitler’s opera box from the nearest bathroom.

Shosanna loads the doctored fourth reel of Stolz der Nation onto the projector camera as Marcel locks the auditorium doors, sliding the safety locks at the tops and bottoms of the doors into place, and then slides a heavy iron crowbar through the door handles, further barring them. He steps behind the screen where Shosanna had placed her entire stack of nitrate film. Shosanna pulls a lever to switch the projector to the doctored reel. Watching from behind the screen, Marcel lights up a smoke and waits.

Meanwhile, Zoller, uncomfortable with the way he is portrayed killing Americans in Stolz der Nation, leaves the cinema auditorium and makes his way to the projectionist’s room to hit on Shosanna. She is deeply concerned at his intrusion and tries to get rid of Zoller, but he pushes his way into the room and angrily confronts Shosanna about her treatment of him, warning her that she’s no longer in a position to disrespect him. Needing to get Zoller out of the way, she asks him to lock the door, dropping a subtle hint, ‘we don’t have much time.’ Soon as Zoller’s back is turned to her, she pulls her gun from her purse and shoots him in the back, mortally wounding him. Quickly she glances into the auditorium to make sure she wasn’t heard. Suddenly, she hears Zoller groan and realizes he’s still alive. In an apparent moment of pity, she turns him over, and he shoots her dead.

We see Donowitz and Ulmer preparing their ambush to take out the opera box guards. Donowitz is dressed as a waiter delivering a glass of champagne. The ambush goes off without a hitch and they kill both guards, taking their machine guns.

Meanwhile, we see Hitler greatly enjoying the battle scene in the movie, where Zoller is taking out numerous American soldiers by himself. But his joy comes to a quick end when Zoller’s challenge (in Stolz der Nation) is answered with the changes Shosanna made to the fourth reel. She tells the audience that they’re all going to die, and she is a Jew ready to take revenge. On her cue, Marcel flicks his cigarette into the pile of nitrate film, igniting it. The fire bursts through the screen, causing a pandemonium in the auditorium. Just then, Donowitz and Ulmer burst into Hitler’s box and gun down Hitler, Goebbels and the other Nazi leaders. As the cinema is engulfed in flames, they fire randomly into the crowd, who are attempting to flee, but escape is impossible, as the auditorium doors are now locked and barred. Finally, the dynamite that Landa had planted in Hitler’s box, as well as the dynamite strapped to the Basterds‘ legs, now goes off. The cinema is destroyed in the subsequent inferno, killing all inside.

In the final scene, Landa and his radio operator set off with Raine and Utivich towards the American lines in Normandy, as part of the deal he had made with Raine’s commanding officer. At the American lines, he surrenders to Raine and hands over his gun and sword. Raine orders Utivich to handcuff Landa, and shoots the driver dead, ordering Utivich to scalp him over Landa’s outraged protest. Raine reveals that while he appreciates Landa’s underhanded deal and all the perks he’s secured for himself, he is incensed that on arriving in America, Landa intended to take off his SS uniform and blend in to the American populace, with nobody remembering all the heinous deeds he committed as a Nazi officer. Raine plans to remedy that. The film ends with Raine carving a swastika into Landa’s forehead and declaring that it may just be his greatest ‘masterpiece.’